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the yellow wallpaper
by charlotte perkins gilman
it is very seldom that mere ordinary people like john and myself secure ancestral halls for the summer.
a colonial mansion, a hereditary estate, i would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!
still i will proudly declare that there is something queer about it.
else, why should it be let so cheaply? and why have stood so long untenanted?
john laughs at me, of course, but one expects that in marriage.
john is practical in the extreme. he has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.
john is a physician, and perhaps—(i would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—perhaps that is one reason i do not get well faster.
you see he does not believe i am sick!
and what can one do?
if a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?
my brother is also a physician, and also of high standing, and he says the same thing.
so i take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to “work” until i am well again.
personally, i disagree with their ideas.
read the excerpt from “the yellow wallpaper.”
at night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! the outside pattern i mean, and the woman behind it is as plain as can be.
what does the narrator’s description of the wallpaper reveal about the context of the story?
the narrator feels imprisoned by her life.
the narrator prefers to do her writing work at night.
the narrator thinks that the wallpaper hides a secret room.
the narrator wants everyone to study the wallpaper.
The narrator describes the wallpaper's pattern as "bars" at night, which symbolizes her feeling of being trapped. This reflects the context of the story where she is restricted (forbidden to work) and her husband and brother (both physicians) dismiss her feelings of illness, further emphasizing her sense of imprisonment.
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The narrator feels imprisoned by her life.