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the second theme of the exposition tends to use the dotted rhythms of t…

Question

the second theme of the exposition
tends to use the dotted rhythms of the french overture
is always in a minor mode
returns in the recapitulation, but in the tonic key
overtakes the primary theme in the development section

21 multiple choice 1 point
the soloist would signal the orchestra that a cadenza was about to end by playing
a long trill
a rest longer than two measures
a sequence of sixteenth notes in the tonic key
the highest possible note on his instrument

22 multiple choice 1 point
the structure of the third movement of haydns symphony no. 102 can be described as
rounded binary forms within a larger ternary form
rounded binary forms within a larger binary form
abaca
theme and variations

23 multiple choice 1 point
the third movement of a classical era string quartet usually

Explanation:

Analyze the first question

Using the Sonata Form Structure knowledge point

  • The first question asks about the behavior of the second theme of the exposition in sonata form.
  • In the exposition, the second theme is presented in a contrasting key (usually the dominant or relative major).
  • During the recapitulation, all themes return, but the second theme is transposed to the tonic key to resolve tonal tension.
  • Therefore, the correct option is "returns in the recapitulation, but in the tonic key".

Analyze Question 21

Using the Classical Cadenza knowledge point

  • Question 21 asks how a soloist signals the end of a cadenza to the orchestra.
  • Historically, the standard signal for the orchestra to re-enter at the end of a solo cadenza is a long, sustained, or accelerating trill on the dominant chord.
  • Therefore, the correct option is "a long trill".

Analyze Question 22

Using the Classical Symphony Structure knowledge point

  • Question 22 asks about the structure of the third movement of Haydn's Symphony No. 102.
  • The third movement of a Classical symphony is typically a Minuet and Trio.
  • The overall form of a Minuet and Trio is ternary (\(A-B-A\)), where both the Minuet (\(A\)) and the Trio (\(B\)) are individually structured in rounded binary form.
  • Therefore, the correct option is "rounded binary forms within a larger ternary form".

Analyze Question 23

Using the Classical String Quartet Structure knowledge point

  • Question 23 asks about the typical characteristics of the third movement of a Classical Era string quartet.
  • The third movement of a standard four-movement Classical string quartet is almost always a stylized dance, specifically a Minuet and Trio (or later, a Scherzo and Trio), written in triple meter.
  • Looking at the visible portion of the prompt, the standard completion is that it is a minuet and trio or in triple meter.

Answer:

Question 1

  • tends to use the dotted rhythms of the French overture
  • is always in a minor mode
  • returns in the recapitulation, but in the tonic key (Correct answer)
  • overtakes the primary theme in the development section

Question 21

  • a long trill (Correct answer)
  • a rest longer than two measures
  • a sequence of sixteenth notes in the tonic key
  • the highest possible note on his instrument

Question 22

  • rounded binary forms within a larger ternary form (Correct answer)
  • rounded binary forms within a larger binary form
  • ABACA
  • theme and variations

Question 23

  • is a minuet and trio in triple meter (Correct answer)