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is the surface quality that can be seen and felt. they can be rough or smooth, soft or hard. implied may look as though they have a can be felt, but the paper is still smooth. tactile is the path the viewers eye takes through the work of art, often to focal areas. such can be directed along lines, edges, shape, and color within the work of art. is created when one or more elements of design are used repeatedly to create a feeling of organized movement. rhythm creates a mood like music or dancing. to keep it exciting and active, variety is essential. are three - dimensional shapes expressing length, width, and depth. spheres, cylinders, boxes, and pyramids are forms. is a mark with greater length than width. they can be horizontal, vertical, or diagonal; straight or curved; thick or thin. is the feeling of harmony between all parts of a work of art, which creates a sense of completeness. is a closed line. they can be geometric, like squares and circles; or organic, like free - form or natural. they are flat and can
The problem is about identifying the term for the surface quality that can be seen and felt (tactile) and the one that may look a certain way but is different in reality (implied). Tactile texture is the actual texture that can be physically felt. Implied texture is what an artwork suggests through visual cues, like a drawn rough surface on smooth paper.
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Tactile texture; Implied texture.