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Question
read the two passages from sugar changed the world.
knowing that their slaves were likely to die by the time they reached their thirties, louisiana sugar planters were extremely selective—they bought only healthy - looking young men in their late teens. on average, the men purchased in louisiana were an inch taller than the people bought in the other slave states. those teenagers made up seven to eight out of every ten slaves brought to americas sugar hell. the others were younger teenage girls, around fifteen to sixteen years old. their job, for the rest of their short lives, was to have children. elizabeth ross hite knew that, for sure, all de master wanted was fo dem wimmen to hav children. enslaved children would be put to work or sold. the overseer s.b. raby explained, rachel had a fine boy last sunday. our crop of negroes will i think make up any deficiencies there may be in the cane crop. that is, a master could sell any slaves who managed to live, if he needed more money than he could make from sugar.
jazz was born in louisiana. could it be that a population of teenagers, almost all of them male, were inspired to develop their own music as a way to speak, to compete, to announce who they were to the world? bomba in puerto rico, maculelé in brazil, jazz in louisiana—all gave people a
which statement best explains how the authors develop their claim across the two passages?
both passages share historical details to support the claim that the lives of sugarcane workers in different countries were essentially the same.
both passages use facts and details to support the claim that sugar workers in different places used music to express themselves and relieve the pressures of brutal work.
both passages use facts and details to support the claim that sugarcane was the most powerful economic force throughout the world.
both passages include historical details to support the claim that songs allowed owners to recognize the importance of enslaved peoples cultures.
The first passage gives details about the selection of slaves in Louisiana sugar plantations (e.g., buying only healthy - looking young men in their late teens, the role of teenage girls in having children, and the use of enslaved children for work or sale). The second passage mentions the origin of jazz in Louisiana and compares it to music forms in other places (Bomba in Puerto Rico, Maculelê in Brazil). Both passages use historical details (facts about slave selection and music forms) to show that in different places (Louisiana, Puerto Rico, Brazil) where sugar - related work (implied in the first passage as it's about sugar plantations) was prominent, the lives of the workers (enslaved people in the first passage, and the connection to music which was likely a part of the workers' lives in the second) had similarities. The claim that the lives of sugarcane workers in different countries were essentially the same is supported by these details.
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Both passages share historical details to support the claim that the lives of sugarcane workers in different countries were essentially the same.