Question

7 multiple choice 1 point
chorales were
sung as part of the catholic church service
first created by william byrd
used in lutheran churches so everyone could participate
sung in latin

8 multiple choice 1 point
how many soloists are in a baroque concerto?
one
five
two
there is no fixed number.

Explanation:

Analyze Chorales

The first question asks about the nature of chorales. Protestant Chorale and Lutheran Liturgy history shows that Martin Luther introduced congregational singing in the vernacular (German) so that the entire congregation could actively participate in worship, rather than just listening to a Latin choir. Therefore, chorales were used in Lutheran churches so everyone could participate.

Analyze Baroque Concerto Soloists

The second question asks about the number of soloists in a Baroque concerto. A Baroque Concerto can be a solo concerto (featuring one soloist) or a concerto grosso (featuring a group of soloists, typically two to four, known as the concertino). Because both types exist, there is no single fixed number of soloists.

Analyze Handel's Hallelujah Chorus Texture

The third question is partially cut off at the bottom, but it asks about the texture Handel uses in the "Hallelujah" chorus to emphasize God's power in a specific line. Although the full question is cropped, the standard analysis of Handel's "Hallelujah" chorus shows that he uses monophonic or powerful homophonic (unison/homorhythmic) textures to emphasize key declarations of God's power. However, since the question stem and options are incomplete, we will focus our final formatted answers on the two fully visible questions (Question 7 and Question 8).

Answer:

Question 7

• sung as part of the Catholic church service
• first created by William Byrd
• used in Lutheran churches so everyone could participate (Correct answer)
• sung in Latin

Question 8

• one
• five
• two
• There is no fixed number. (Correct answer)